
![]() Carol Cleveland, a former cheerleader with stage training, was born January 13, 1943 East Sheen, London, though it's not polite to mention that really. She is dubbed by many as "the seventh Python" and definitely looks the best in a dress. Her parents met on a film set during the war and married ten days later, (mother Pat was a model and film extra who often cropped up in Python - once as a hospital patient with an axe in her head). Carol's father left home when she was three. Carol showed an early interest in dance, taking ballet lessons from the age of five, spending her teenage years in amateur dramatics and eventually playing the title role in "Cinderella." Her mother married an American airforce guy, Cleve and the family moved to America - first Texas, then California (where Carol appeared in "Swan Lake"). On a television show at the age of 12 Carol confidently predicted she would be a movie star and in 1961 she returned to London to attend RADA. Carol soon became a popular and familiar face on sixties British television with appearances in "The Saint," "The Avengers" and "Doctor at Large." She appeared with Spike Milligan, Peter Sellers, Ronnie Barker and Ronnie Corbett before being put forward for "Monty Python." She first began appearing in the Flying Circus shows very early on as one of the various pretty females that floated around in naughty bits during the first season. Nicknamed Carol Cleavage on the set, she was the definitive blonde stereotype for deconstruction. But unlike the others she had comedic timing and became eventually the Pythons' (and later fans') favorite. She eventually enjoyed more interesting character parts along the way although she was often unhappy at her range of often uninteresting parts, longing to grab the more meaty female roles usually bagged by Terry Jones or Graham Chapman. She appeared in many Flying Circus shows as well as in the Holy Grail, Life of Brian, And Now for Something Completely Different, and Live at the Hollywood Bowl. Much of her part was cut from the Meaning of Life, sadly, though hints of it appear in the CD-ROM game of same. In the Python live shows (like the Bowl, again) she played all the female parts, and her bit as an eccentric dancer in "I'm the Urban Spaceman" in the Bowl is memorable, as is her dual role as Zoot and Dingo, the love-starved leaders of the virgins at Castle Anthrax. She has been engaged to be married three times and only married once, briefly, to Peter Breet in the 1970s. This wedding was a real Python affair, with Cleese and the lads in attendance. The
union didn't last and Carol now lives in Brighton, occasionally doing stage work and performing "Pom-Poms Up!" a one-woman show about her life. She hasn't lost her charm and appeal, and is still Python fans' favorite female, a friend to Grail-seekers everywhere.
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Neil Innes, a talented singer and incredibly talented songwriter formerly of the Bonzo Dog (Doo Dah) Band, was born Dec 9, 1944 in Essex, England. After appearing on the prototypical Python show Do Not Adjust Your Set he wasn't involved with Python at all. But he did get to sing in one late episode, which wound up getting him parts in Holy Grail, Life Of Brian, and Live at the Hollywood Bowl. He composed also all the original music for the Grail and many other songs for Python shows and albums, and was one of only two non-Pythons to recieve writing credits in the Flying Circus, the other being Douglas Adams. Bald since a young age, he took to wearing toupees and hats. In the Python live shows (like the Hollywood Bowl) he was their only male extra and played in sketches as well as performing musical bits inbetween, like the "Protest Song," "I'm the Urban Spaceman" (with Carol Cleveland), and "How Sweet to Be an Idiot." He is best known for those songs (two of which are in the Bowl) as well as his role as Sir Robin's annoying minstrel in the Grail. He also plays a self-abusive monk and the owner of a duck. He later worked with Eric Idle on the low-budget and highly-underrated musical comedy program "Rutland Weekend Television" and wrote all the music for his and Eric's highly successful TV movie The Rutles: All You Need is Cash, giving a brilliant performance as the John Lennon character, Ron Nasty. Neil's dead-on soundtrack sounded just like the Beatles yet was completely original. In the 80s he had his own TV show, the Innes Book of Records, which ran three seasons, and from the 70s on he figured in GRIMMS and THE WORLD as well as releasing several solo albums. In 1997, he released what may be his best album, the "Rutles Archaeology" reunion album. (Eric did not participate, saying that Neil was "too old and bald and untalented to be in the Rutles" and that the project was "dumb.") Neil still tours and plays for fans in the UK and the United States. He has recently released three volumes of previously unreleased songs (mostly from The Innes Book of Records TV series) entitled "Neil Innes Recollections."
Also visit the official Neil Innes website, NeilInnes.org. |
Connie Booth began her Python career through a bit of unbridled nepotism. She was John Cleese's wife at the time, and thus got dragged into the Flying Circus thing for a few bit parts. (So did the then Mrs. Idle, Lyn Ashley.) Connie's most memorable role in the Flying Circus was as the Lumberjack's gal, reprised in the film And Now for Something Completely Different. But she worked with John in the writing department and was a guiding force in the two German Python TV specials. She played the witch in the Holy Grail. Even after her marriage to John ended she continued to work with him, and they co-created the classic sitcom "Fawlty Towers," in which Cleese starred and she handled the supporting role of Polly, the long-suffering femme-du-chambre who might be the only half-sensible member of the Fawlty Towers staff. Fawlty Towers is remembered as a high-water mark in British comedy, with the scripts written by John and Connie called (by "Blackadder" scribe Richard Curtis) "The greatest farce ever written in the English language." |